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Everything leaves a trace.

Traces Embrace Time.     

Time  ≠ Money

My prints start when a process grabs my attention, lately twisting, in tree growth, rills in sand and in the flight of birds.

Starting with this felt observation that ties human and non-human worlds within a common process, I follow William Blake’s directive to “do it in Minute Particulars”. I both orchestrate and allow material interactions of the intaglio printmaking to explore an experience of one of these dynamic gestures common to human and non human.  

Can the visual trace bitten into the plate and imprinted on the paper be felt viscerally by a viewer, foregrounding a reciprocal response returning us to knowledge of our shared being?